Waheguru -God Almighty- is always present at Harmandir Sahib also called Darbar Sahib or Golden Temple
October 20, 2014
Posted by tejwantsingh
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Tags: Ambrosial-hour, Amrit-vela, Ardas, Asa-di-Vaar, Baba Budhaji, Baba Farid, Bhagat Prahlad, Chandni, Chowar, Darbar Sahib;, Darshani Deori, day of Judgment, Dhadi, Ek Tara, Formless God, Ghanta-Ghar, Ghari, Gharyal, gilding, God Almighty, gold plating, golden plaque, Greek mythology, Hazrat Nizamudin Aulia, Head Granthi, Hindustani classical music, Keerti, Kirtan Sohila, Kirtinia, Kotha Sahib, mace-bearers, marble inlay, Mughal period, Mukti, Nar-Singha, Narad Puran, Narain, Nizamudin Aulia of Delhi from the classical Indian percussion instrument Mirdang. He cut the Mirdang, Palanquin, Palki, Ragas, Ragi, Rubab, Rumala, Sarangi, Sitar, Third-eye
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Tags: Ambrosial-hour, Amrit-vela, Ardas, Asa-di-Vaar, Baba Budhaji, Baba Farid, Bhagat Prahlad, Chandni, Chowar, Darbar Sahib;, Darshani Deori, day of Judgment, Dhadi, Ek Tara, Formless God, Ghanta-Ghar, Ghari, Gharyal, gilding, God Almighty, gold plating, golden plaque, Greek mythology, Hazrat Nizamudin Aulia, Head Granthi, Hindustani classical music, Keerti, Kirtan Sohila, Kirtinia, Kotha Sahib, mace-bearers, marble inlay, Mughal period, Mukti, Nar-Singha, Narad Puran, Narain, Nizamudin Aulia of Delhi from the classical Indian percussion instrument Mirdang. He cut the Mirdang, Palanquin, Palki, Ragas, Ragi, Rubab, Rumala, Sarangi, Sitar, Third-eye
